BSC — Body Archive Project

Positioned within the transitional spaces of a vacant office building, OFFICE SUPPLY introduces a modified vending machine that disrupts the logic of the workplace break room. Shifting the automated transaction into a critical reflection on value, labor, and the art market, the machine dispenses two distinct categories of identical boxes.

The machine functions as a decentralized exhibition unit, dispensing works, objects, and site-specific interventions. These boxes contain limited editions, unique works and contributions curated for this corporate environment, bringing critical and physical artistic practices directly into the automated circuit.

Alongside the artist works, the machine features our own conceptual response to workplace burnout: Survival Kit : Me, Myself, and My Deficit. A curated multi-pack engineered for systemic maintenance within the contemporary workspace.

This compilation of minor physical interventions addresses the symptoms of corporate acceleration, structural fatigue, and low workplace morale, offering immediate chemical and emotional stabilization to keep the human resource functional, tools for navigating the daily institutional void.

Prices within this unit are entirely detached from product value. Instead, they reflect a strategy scaled to your personal self-worth and professional tax bracket. Choosing a higher price functions as a financial flex: a direct subsidy to Body Archive that validates your status as an indispensable asset to our independent infrastructure. Pay more, because you are worth it.

Malik Abdi & Dimitri Erhard, Yumna Al-Arashi, Marcello Concari, Valentina Demicheli Jitsattayakul, Sebastian Eduardo, Mai-Thu Perret, Orlando Press, Iouri Podladtchikov, Azur Sabic, Cassidy Toner, and Jiajia Zhang.

Supported by Selecta