The exhibition develops as a dialogue between space, sound and material. Frequencies and vibrations pass through the rooms as audible and tangible elements, while water, sound and sculptural structures create zones of transition, between solid and liquid, visible and invisible, collective and individual.
Water appears as a medium of change and memory, shifting between states, storing information and leaving traces. It interacts with urban and organic matter, revealing processes of erosion, dissolution and reformation. Sound behaves in a comparable way, moving through space, dissolving, resonating and generating an invisible yet perceptible network.
Architecture introduces another layer: openings, grids and thresholds mark passages and interruptions, framing perspectives and exposing how space regulates access and perception, while at the same time showing how these structures can be displaced and reimagined.
Together, these practices intersect as shifting forces—water shaping and eroding, sound penetrating and transforming, architecture framing and redirecting. The exhibition emerges as a field of relations in which memory, transmission and transformation are negotiated.
Sebastian Eduardo, Haryung Lee, Lou Masduraud
Shower
61 Duteopbawi-ro
Yongsan-gu
04336 Seoul
South Korea